Friday, 25 April 2014

More Screenshots

The castle is just about finished, just a couple more items to add, feeling really good about this, was panicking at the start of the week worrying I wouldn't finish, that I would be FAAAAR behind everyone, but just a few days hard graft and my castle is on the brink of being UVed, I'm not too comfortable with doing this but as a lot of my objects are repeated and pasted it shouldn't be too hard!




For some weird reason even though they were all placed in the same equal spot the towers which should have all aligned, didn't. I had to move the two left towers in a bit so the all lined up, this won't affect it in the long run, it just makes everything look neater :)




 


Taking shape, and a Brazen Bull.

Everything is starting to finally look ready for UVing, there is still a little to do as far as accessorising goes, the thing I think sets my model apart is the fact that the objects around it add more to the castle and as such I want to make these look as good as the castle does, if they don't the castle loses a major part of its theme.


I really wanted to do a Brazen Bull in my castle, although not typically a Russian/Eastern European method of torture I wanted to add one in to fit with the torture and criminal theme but to add depth to my character who I want to appear as a rich and knowledgeable woman who reads about the wider world. Here is a little info on the Brazen Bull.
"The Brazen Bull, sometimes known as the Sicilian Bull is one of the cruelest methods of torture and execution out there. Designed in ancient Greece, solid brass was cast into the shape of a hollow bull, with a door on the side that opened and latched. To begin the execution, the victim was placed inside of the brass bull and a fire was set underneath. The fire was heated until the metal was literally yellow, causing the victim to "roast to death". The bull was designed so that the screams of the victim would come out sounding musical for the enjoyment of the executioner, the inventor of this form of punishment ended up being executed inside of the Bull."
 I was a little worried about how I was going to create this item, but fortunatly there was a ready made bull in Mudbox that I exported into Maya, although it up my polys I was very glad to have a ready made item, I made the horns a little wider and made a 'hatch' on the belly and made a hollow tube shape underneath it for the fire pit. I placed this item underneath the fake door near the top of my castle, the idea is that prisoners inside would somehow get free, find a door to knowhere and look down, only to see the bull. I wonder about my imagination sometimes :/

 

Thursday, 24 April 2014

Seeing a few improvements.

I still don't understand Maya .... so many buttons .... BUT, I can see myself getting a little better each time I go to do my model, I know I am a little behind everyone else in my group and my progress is a little slower, but I am okay with that. playing the mental game with myself is still difficult, I do have a long way to go, but again that's okay! Opening Maya doesn't scare me so much now and every time I create something I get a little jolt of joy!

Here are some more progress screenies, nearly there! I still need to make it a little more 'built up' looking like the Winchester Mystery House does. Making things look good but from different styles is tricky but not impossible now. I think my Castle does look like a bit of a mockery to the aspects of the style of the building, seeing as a lot of the Russian Architecture featuring onion domes are buildings of Religious purposes and my Castle is a torture building, but still features its Crosses and signs of Christianity. I love it!



And just for giggles, creating the Gibbet with the model inside created a rather 'Han Solo in Carbonite' effect.

Monday, 21 April 2014

Maya Screenies.

Here are some of my Maya progress screenshots, this was my first attempt. It was all going well until I realised that one, I had stuck the domes on too soon and they were all in centimeters instead of meters, and I could not get them to scale right .... so deleted that one! Although I did learn how to make a Gibbet which was fun!


Next attempt went better, got the scale right and the scale man actually looked less like giant Ant-Man. Huzzah everything seemed to be going well (for 4 hours) up until I was trying to create edges along the floor levels of the castle. I accidentally deleted two REALLY important edges without realising it and no matter what I tried I could not get them back in, lesson learned however ... CHECK EEEEEVERY LINE BEFORE DELETING ANYTHING! EVER!



On the third try I tried to keep simple as possible so I wouldn't get frustrated with the program (which I had to uninstall/reinstall at this point) as it was being rather glitchy. I took my time and got the castle sorted and the turrets/domes all sorted ready to make more beautiful. Next thing to do is add the windows and sort out the balcony, then do the bridge. So lots to do :)

 


More Mind Maps.

As the title says here a couple more mind maps for addictions to my castle. I love the idea of a portcullis on my castle, if it is going to be such a terrible torture building then it would need to repel enemies and lock people inside, so bars on the windows and portcullis's to make sure if people don't leave. Also looking at balconies for ideas for my blood bath platform.



Thursday, 17 April 2014

Turrets and Onion Domes

I have started a few drawings and colour tests for the onion dones and the turret colours to see how the colours will look with darker brickwork as I was told by my tutor that this could be a tricky thing to pull off depending on how dark I made my castle with the ideas I had.

I started by creating a 2D basic onion dome then tried a couple of colours, tried a golden dome, then tried a coloured one. I like the idea of having the two different styles as across Easteren Europe they have different variations of the domes.



Trying out different styles of Onion dome, with the panels that are different colours and bump out more. The golden one will be completely flat round with no features sticking out.


I tried drawing a perspective view of the bridge linking the turrets. I like the thought of the turrets actually being used as part of the castle, I'm thinking of these being the four separate torture chambers, so each of these will have different stained glass colourings to reflect these different rooms of torture.


I like the bright colours with the sandy coloured rock. I want to use a darker version of Limestone such as Volcanic Limestone. There is a Volcano called Kara Dag Mountain which rises to a height of 577 meters between the Crimean coastal town of Koktebel.


Practising here trying to work out how to draw the ice-cream cone style domes, it was more complicated than I thought so I don't know if I'm going to be able to replicate those in Maya with my skill level. Maybe I will be able to do these as flat domes and then place a pattern on the top that is shaded to look 3D.


Tried another view of the castle in photoshop. I might add an extra turret and dome in the center that will be the golden one.


Then I got bored and started drawing a face and got distracted so decided that was it for the night.


Little bit of progress!

So long since my last blog post, life is a drag and I have had no inspiration or creative mind. I have taken pictures of the basic plans for my castle. Will have to draw up some versions to add colour for when I add textures and effects.


Front view.


Trying to work out how the bath and the blood fountain will look and work


Front of the castle and top view. Also a gibbet I will have dotted around the castle.


and a different version of the bridge


Tuesday, 8 April 2014

Norwich Castle Museum.

As a Norfolk gal I have always seen and been around the Castle Museum, although I am scared somewhat by this project the fact it's based around one of the largest buildings throughout my childhood and into adulthood that I never get bored of is what drives me to keep going with it.



As such I want to keep very closely to the part highlighted below. For me it starts with researching the castle, and finding out things I didn't even know despite visiting the Castle many times before. I want to try and stick around the same size and shape as Norwich Castle, as to me the cube shape is to me the typical image of a Castle that also stands as a Keep. As I want my Castle to be somewhat impregnable and fill people with horror when they look at it from however far away. This shape and the position of the Castle will be important.


File:Norwich Castle, 1845.jpg

"Norwich Castle was founded by William the Conqueror some time between 1066 and 1075. It originally took the form of a motte and bailey. Early in 1067, William the Conqueror embarked on a campaign to subjugate East Anglia, and according to military historian R. Allen Brown it was probably around this time that Norwich Castle was founded. The castle is first mentioned in 1075 when Ralph de Gael, Earl of Norfolk, rebelled against William the Conqueror and Norwich was held by his men. A siege was undertaken, but ended when the garrison secured promises that they would not be harmed.

Norwich is one of 48 castles mentioned in the Domesday Survey of 1086. Building a castle in a pre-existing settlement could require demolishing properties on the site. At Norwich, estimates vary that between 17 and 113 houses occupied the site of the castle. Excavations in the late 1970s discovered that the castle bailey was built over a Saxon cemetery. Historian Robert Liddiard remarks that "to glance at the urban landscape of Norwich, Durham or Lincoln is to be forcibly reminded of the impact of the Norman invasion". Until the construction of Orford Castle in the mid-12th century under Henry II, Norwich was the only major royal castle in East Anglia.

The stone keep, which still stands today, was probably built between 1095 and 1110. In about the year 1100, the motte was made higher and the surrounding ditch deepened. During the Revolt of 1173–1174, in which Henry II's sons rebelled against him and started a civil war, Norwich Castle was put in a state of readiness. Hugh Bigod, 1st Earl of Norfolk was one of the more powerful earls who joined the revolt against Henry. With 318 Flemish soldiers  that landed in England in May 1174, and 500 of his own men, Bigod advanced on Norwich Castle. They captured the castle and took fourteen prisoners who were held for ransom. When peace was restored later that year, Norwich was returned to royal control.

The castle was used as a gaol from 1220, with additional buildings constructed on the top of the motte next to the keep. These buildings were demolished and rebuilt between 1789 and 1793 by Sir John Soane, and more alterations were made in 1820. The use of the castle as a gaol ended in 1887, when it was bought by the city of Norwich to be used as a museum. The conversion was undertaken by Edward Boardman, and the museum opened in 1895.

The forebuilding attached to the keep was pulled down in 1825. Although the keep remains, its outer shell has been repaired repeatedly, most recently in 1835–9 by Anthony Salvin, with James Watson as mason using Bath stone. None of the inner or outer bailey buildings survive, and the original Norman bridge over the inner ditch was replaced in about the year 1825. During the renovation, the keep was completely refaced based faithfully on the original ornamentation.

G. T. Clark, a 19th-century antiquary and engineer, described Norwich's great tower as "the most highly ornamented keep in England". It was faced with Caen stone over a flint core. The keep is some 95 ft (29 m) by 90 ft (27 m) and 70 ft (21 m) high, and is of the hall-keep type, entered at first floor level through an external structure called the Bigod Tower. The exterior is decorated with blank arcading. Castle Rising is the only other comparable keep in this respect. Internally, the keep has been gutted so that nothing remains of its medieval layout. The uncertainty surrounding the keep's arrangement has led to scholarly debate. What is agreed on is that it had a complex domestic arrangement, with a kitchen, chapel, a two-storey high hall, and 16 latrines."

Mind Map Collections

Here are the mind maps displaying all the imagery that I will use as inspiration for my Castle. All images are from Google.














Monday, 7 April 2014

The Winchester Mystery House.

With so many different aspects to my Castle, with the colourful Onion Domes and the stark Gothic designs I want to use, I had to think of a way to pull all these different ideas together, and such an idea came to mind on how to do this. Another thing I am fond of is haunted houses, and one such house is the Winchester Mystery House in California. Some history below.


"The Winchester Mystery House is a mansion in San Jose, California which was once the personal residence of Sarah Winchester, the widow of gun magnate William Wirt Winchester. The property and mansion have been claimed to be haunted including by Winchester herself since construction commenced in 1884. Under Winchester's day-to-day guidance, its "from-the-ground-up" construction proceeded around the clock, without interruption, until her death on September 5, 1922, at which time work immediately ceased. The cost for such constant building has been estimated at about US $5.5 million (equivalent to over $75 million in 2012).

A Boston Medium told Winchester, supposedly by way of her late husband, that she had to leave her home in New Haven and travel West, where she must continuously build a home for herself and the spirits of people who had fallen victim to Winchester rifles. Winchester left her New Haven home and headed for California. In 1884 she purchased an unfinished farmhouse in Santa Clara Valley, and began building her mansion. Carpenters were hired and worked on the house day and night until it became a seven story mansion.
She believed her only chance of a normal life was to build a house, and keep building it. If the house was never finished, no ghost could settle into it. The house contains many features that were utilized to trap or confuse spirits. There are doors that are small or lead nowhere and windows that look into other parts of the house. The mansion may be huge but there are only two mirrors in the whole place. This is because Sarah believed that ghosts were afraid of their own reflection.
Winchester inherited more than $20.5 million upon her husband's death. She also received nearly fifty percent ownership of the Winchester Repeating Arms Company, giving her an income of roughly $1,000 per day, equivalent to about $30,000 a day in 2012. These inheritances gave her a tremendous amount of wealth to fund the ongoing construction.
Though it is possible Sarah Winchester was simply seeking a change of location and a hobby during her lengthy depression, other sources claim that while consulting The Boston Medium, Winchester came to believe her family and fortune were haunted by the ghosts of people who had fallen victim to Winchester rifles, and that only by moving West and continuously building them a house could she appease these spirits. Located at 525 South Winchester Blvd. in San Jose, California, the Queen Anne Style Victorian mansion is renowned for its size and utter lack of any master building plan."

File:Winchester Mystery House 2012.jpg

I love the idea of continually building a property to not only house, but confuse ghosts! I thought that the character who owns my Castle (because she would have been such a wicked Ruler) would have the same situation, if she was cruel to people in life then she would be scared of the ghosts coming back to haunt her for killing them in such brutal ways, so she would keep building in different aspects of Eastern European architecture to confuse the dead and keep them away from her whilst she continued her wicked ways.

I think the Mystery House also has some architectural styles from Eastern European Castles with the cone domes and circular parts to it, the roof colours are also similar! I hope this will help with what I want to create in Maya, with all the different stylings and colourings. DIFFICULT TIMES AHEAD!