"Taxidermy (from the Greek for arrangement of skin) is the art of preparing, stuffing, and mounting the skins of animals (especially vertebrates) for display (e.g., as hunting trophies) or for other sources of study. Taxidermy can be done on all vertebrate species of animals, including mammals, birds, fish, reptiles, and amphibians. A person who practices taxidermy is called a taxidermist. Taxidermists may practice professionally for museums or as businesses catering to hunters and fishermen, or as amateurs, such as hobbyists, hunters, and fishermen. To practice taxidermy, one should be very familiar with anatomy, sculpture, and painting, as well as tanning."
"Preserving animal skins has been practiced for a long time. Embalmed animals have been found with Egyptian mummies. Although embalming incorporates the use of lifelike poses, it is not considered taxidermy. In the Middle Ages, crude examples of taxidermy were displayed by astrologers and apothecaries. The earliest methods of preservation of birds for natural history cabinets were published in 1748 by Reaumur in France. Techniques for mounting were described in 1752 by M. B. Stollas. There were several pioneers of taxidermy in France, Germany, Denmark and England around this time. For a while, clay was used to shape some of the soft parts, but this made specimens heavy. By the 18th century, almost every town had a tannery business. In the 19th century, hunters began bringing their trophies to upholstery shops, where the upholsterers would actually sew up the animal skins and stuff them with rags and cotton. The term "stuffing" or a "stuffed animal" evolved from this crude form of taxidermy. Professional taxidermists prefer the term "mounting" to "stuffing". More sophisticated cotton-wrapped wire bodies supporting sewn-on cured skins soon followed. In France, Louis Dufresne, taxidermist at the Muséum national d'Histoire naturelle from 1793, popularized arsenical soap in an article in "Nouveau dictionnaire d'histoire naturelle'" (1803–1804). This technique enabled the museum to build the greatest collection of birds in the world."
"In the late 19th century a style known as Anthropomorphic taxidermy became popular. A 'Victorian whimsy', mounted animals were dressed as people or displayed as if engaged in human activities. An early example of this genre was displayed by Herman Ploucquet, from Stuttgart, Germany, at the Great Exhibition in London. The best-known practitioner in this genre was the English taxidermist Walter Potter, whose most famous work was The Death and Burial of Cock Robin. Amongst his other scenes were "a rats' den being raided by the local police rats ... village school ... featuring 48 little rabbits busy writing on tiny slates, while the Kittens' Tea Party displayed feline etiquette and a game of croquet." Apart from the simulations of human situations, he had also added examples of bizarrely deformed animals such as two-headed lambs and four-legged chickens. Potter's museum was so popular that an extension was built to the platform at Bramber railway station."
This site where I found this lovely image of a lady holding taxidermy has too many random pieces to copy so I will put the link here for futher reading
(http://www.taxidermy4cash.com/Victorian.html)
(http://en.wikipedia.org/wiki/Taxidermy)
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